Showing posts with label skin tone. Show all posts
Showing posts with label skin tone. Show all posts

Skin Tone Revisit

Getting skin tone right is a matter of judgment, a trial-and-error process. Fact is- you know it when you see it.

So the question is, which of the photos below will garner a more positive response from viewers?

Skin Tone I



Skin Tone II


There is no right answer ! *grin*

You get as many different responses as the no of people you asked!

Lesson: Just stick to your judgment and produce what you think suits the sitter best. Never allow your sitter to compare!

Related Post: Good Skin Tone



Cropping

The Effervescent Kym Ng


Cropping is such an important first step in pp that I deem it almost mandatory.

Sure, one should always compose carefully in the viewfinder before pressing that shutter. In practice, however, priceless captures of a winsome smile, a toothless grin, or a frown - whatever the expression may be - are often fleeting and leaves you no time to compose and shoot. Ready or not, you either capture the expression, or lost it forever.

Hence I almost always crop my pictures, before I commence pp proper.

When you crop, the picture composition invariably improves dramatically. Unless you don't have any idea how to compose photos.

The quick-and-lazy method is simply to try - try - try until you are satisfied with the composition. Looking at others' work helps. If you like a particular photo pay attention to the composition.

Read up on The Golden Mean, Rule of Thirds and The Diagonal Method on the net. You will develop a deeper understanding of composition and your pictures will improve as you learn to crop better.

Original JPG


After Crop, before PP


How far you pp is a matter of judgment. As the background was distracting, the subject was extracted using the magic wand tool, and the edges were refined to blend into the new background.

The background to be used was treated to a fair amount of lens blur before it was suitably cropped and dragged onto the main subject layer. Next, the main subject image was adjusted for shadows / highlights and hue / saturation to lighten the shadows in the hair and tone down the excess red in the skin tone.

The eyes were retouched slightly to bring back the sparkle in both eyes and the signature embossed.

Finally, the image was sharpened and blurred using the smart blur tool in the final step before the image was File -> Saved to Web.

Good Skin Tone

Final Treatment


Original photo


The above jpeg is what one gets straight-out-of-the-camera: dull-looking, lacking in contrast and clarity. Any way to improve the photo?

Well, the standard pp is to apply levels and curves, with adjustments as needed for brightness/contrast, shadows/highlight and hue/saturation. That is then followed by USM sharpening, with a little Gaussian or smart blur thrown in at the end to take the edge off an overly sharpened image.

The improvement, depicted below, is obvious: clearer colors, sharper print.

First Post-Process


Yet something still seems amiss. Not only is the background distracting...but can we improve the skin tone ?

Almost everyone will know what is a good skin tone when they see it. Yet it is hard to pinpoint what makes a good skin tone. It is a very subjective feeling. And there are no magic numbers to punch in to produce a nice skin tone.

==

I guess skin tone is a closely guarded secret amongst professional photographers. Few talk about it, much less share what they know. Googling for skin tone how-to's reveals the various techniques and tools used, but none on how to produce beautiful skin if the sitter has a less-than-perfect skin tone.

As for me, I use the Selective Color tool, including Hue / Saturation, trying out various color combinations until I've got the skin tone I look for.

Admittedly I am not there, yet.

Sure, the print could be improved: the washed-out chinaware due to the inappropriate flash used, masking could be better, etc ... but you get the point on the skin tone, don't you ?

No, I am not talking about matching skin tone to the sitter's actual skin. But rather to print process such that the skin tone of the sitter becomes breathtakingly beautiful! Never mind if the final print result has nothing to do with reality. After all, everyone wants to look their best in print, isn't it?

Beautiful skin tone was the reason why photographers raved over Fuji's Velvia or Kodak's Vericolor in the days of film. And chose those films when they want to portray their subjects in beautiful skin tones. That is what I'm talking about.

Skin tone is therefore a very subjective issue. And because it is subjective, I consider it as the holy grail of print processing. Many clients will beat a path to your door if you succeed to produce a beautiful skin tone for your subject.

Because then your picture-taking will stand out from the crowd.


Related Post: Skin Tone Revisit
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